I find myself picking paint chips from my fingers while I talk on the phone.
The skin is dry and never quite clean.
I have been circulating through my painting pants, the ones I wore in college.
They have swipes of red, black, and green from my palette knife across the thighs.
There are no words for this state of mind.
Everything is immediate and I loose track of time...of children.
Yesterday Beckam fell into his forehead on the cement floor, after which a golf ball tried to burst through his skin.
My response was, "Where did these kids come from...oh yeah...they're mine...and one of them is hurt."
I extricated myself from the tight rope I was so intently walking and stepped onto solid ground.
Into the real world where children need their mother's warm voice.
I cooed softly at his ear, and cradled his thick body into my painted jeans.
"Maahhhmm....I bonked my head off!...." he wailed.
But I know he is gonna be okay.
I let him trickle off to the next injury, take a deep breath and step back onto the tight rope.
Philippe Petit walking the tight rope between Twin Towers 1974 |
An animated French man who wore tight black clothes and spoke with his whole body.
If he fell from that height - over 1,300 feet - there would be no question.
But he wasn't on the ground where his death waited. He was in the immediate space of the cable upon which his feet were poised like a dancer's.
Philippe Petit lying on the cable between the Twin Towers in NYC |
This is how it feels to paint.
Granted, I will not die if I loose focus, but the state of mind, I imagine, is the same.
I stand back from art that I have made, I know I made it, but I don't know exactly how it happened.
There are basic rules...breath,...always breath...
- start with big shapes and move to smaller shapes
- value is more important than color - it decides everything
- let the art be what it wants to be
- fall in love with your work at every stage
- have fun...sometimes
- keep going until it's done.